God in the Guise of a Pleading Widow a Sermon on Luke 18:1-8

Like a Pleading WidowAi Weiwei’s exhibit “According to What? at the Art Gallery of Ontario inspired me to look beyond traditional interpretations of Jesus’ parable of the Pleading Widow to see our role as the unjust judge. The gentle breath of a newborn granddaughter enabled me to hear the DIVINE ONE persistently pleading for justice. Read the sermon manuscript below or Listen to the sermon here:  

I spent time exploring the Ai Weiwei exhibit at the Art Gallery of Ontario. It is a powerfully, disturbing, fascinating and compelling exhibit that I know will stay with me for years to come. Ai Weiwei is, according to the AGO’s description, “an artist with a very new kind of visibility. He has transcended his artwork to become a worldly figure who, for many, symbolizes the assertion of freedom of expression against great odds. Using the fame and recognition garnered by his art, Ai Weiwei has taken on issues that could not be raised publically in China.” The exhibit provides a unique window into a part of the world that continues to remain impenetrable.

Ai Weiwei and I are the same age but it is as if our worlds are light-years apart. I first became aware of his work during the Beijing Olympics in 2008. Ai is responsible for the spectacular design of the Beijing Olympic Stadium that has become known as the Bird’s Nest. With his conception of the Bird’s Nest Ai hoped to represent freedom. He saw the Olympics as a splendid opportunity to demonstrate that China was opening up after decades of seclusion with a dismantling of the barriers erected by successive totalitarian régimes. Sadly, Ai’s dreams were dashed as the stadium was constructed and the Chinese government resorted to old methods to drive the poor from their homes in order to build on Olympic sites.

On the opening day of the Olympics, Ai wrote this about his of his decision to boycott the events: “Today China and the world will meet again. People will see that the planet is now smaller than at any time in history, that mankind should bid farewell to arrogance and indifference, to ignorance and discrimination, and understand that we share the same small piece of land. It will be a time to rediscover each other, to share what is good in life, to look each other in the eye and link all 10 fingers. The colourful festival is a time not just for celebration, but also for peace and friendship. To rediscover our future, we should say goodbye to our past. We must bid farewell to autocracy. Whatever shape it takes, whatever justification it gives, authoritarian government always ends up trampling on equality, denying justice and stealing happiness and laughter from the people.

We should also leave behind discrimination, because it is narrow-minded and ignorant, denies contact and warmth; and corrodes mankind’s belief that we can better ourselves. The only way to avoid misunderstanding, war and bloodshed is to defend freedom of expression and to communicate with sincerity, concern and good intentions.

The “Bird’s Nest” National Stadium, which I helped to conceive, is designed to embody the Olympic spirit of “fair competition”. It tells people that freedom is possible but needs fairness, courage and strength. Following the same principles, I will stay away from the opening ceremony, because I believe the freedom of choice is the basis of fair competition. It is the right I cherish most. If we want it to be, today can be a moment of courage, hope and passion. This day will test our faith in the human race, and our determination to build a better future.”

The Chinese government has not reacted kindly to Ai’s public descent and he has felt the weight of their abuse. He remains under house arrest and was not allowed to travel to Toronto for the opening of his exhibit. It is only, Ai’s world renown as an artist and public dissident that protects him from the ultimate fate of so many Chinese dissidents.  Ai Weiwei’s courage in speaking out against injustice over and over again, has robbed him of his liberty and put his life in grave danger and yet he continues to publically protest the abuses of his overlords. Ai’s testimony, expressed in his art, speaks volumes to the world and even tough his protests fall on what appear to be the deaf ears of a régime that continues to oppress the people of China, one wonders how long these unjust judges will be able to resist his persistent pleas for justice. Continue reading

God in the Guise of a Pleading Widow a Sermon on Luke 18:1-8

Like a Pleading WidowAi Weiwei’s exhibit “According to What? at the Art Gallery of Ontario inspired me to look beyond traditional interpretations of Jesus’ parable of the Pleading Widow to see our role as the unjust judge. The gentle breath of a newborn granddaughter enabled me to hear God persistently pleading for justice. Read the sermon manuscript below or Listen to the sermon here:  

I spent time exploring the Ai Weiwei exhibit at the Art Gallery of Ontario. It is a powerfully, disturbing, fascinating and compelling exhibit that I know will stay with me for years to come. Ai Weiwei is, according to the AGO’s description, “an artist with a very new kind of visibility. He has transcended his artwork to become a worldly figure who, for many, symbolizes the assertion of freedom of expression against great odds. Using the fame and recognition garnered by his art, Ai Weiwei has taken on issues that could not be raised publically in China.” The exhibit provides a unique window into a part of the world that continues to remain impenetrable.

Ai Weiwei and I are the same age but it is as if our worlds are light-years apart. I first became aware of his work during the Beijing Olympics in 2008. Ai is responsible for the spectacular design of the Beijing Olympic Stadium that has become known as the Bird’s Nest. With his conception of the Bird’s Nest Ai hoped to represent freedom. He saw the Olympics as a splendid opportunity to demonstrate that China was opening up after decades of seclusion with a dismantling of the barriers erected by successive totalitarian régimes. Sadly, Ai’s dreams were dashed as the stadium was constructed and the Chinese government resorted to old methods to drive the poor from their homes in order to build on Olympic sites.

On the opening day of the Olympics, Ai wrote this about his of his decision to boycott the events: “Today China and the world will meet again. People will see that the planet is now smaller than at any time in history, that mankind should bid farewell to arrogance and indifference, to ignorance and discrimination, and understand that we share the same small piece of land. It will be a time to rediscover each other, to share what is good in life, to look each other in the eye and link all 10 fingers. The colourful festival is a time not just for celebration, but also for peace and friendship. To rediscover our future, we should say goodbye to our past. We must bid farewell to autocracy. Whatever shape it takes, whatever justification it gives, authoritarian government always ends up trampling on equality, denying justice and stealing happiness and laughter from the people.

We should also leave behind discrimination, because it is narrow-minded and ignorant, denies contact and warmth; and corrodes mankind’s belief that we can better ourselves. The only way to avoid misunderstanding, war and bloodshed is to defend freedom of expression and to communicate with sincerity, concern and good intentions.

The “Bird’s Nest” National Stadium, which I helped to conceive, is designed to embody the Olympic spirit of “fair competition”. It tells people that freedom is possible but needs fairness, courage and strength. Following the same principles, I will stay away from the opening ceremony, because I believe the freedom of choice is the basis of fair competition. It is the right I cherish most. If we want it to be, today can be a moment of courage, hope and passion. This day will test our faith in the human race, and our determination to build a better future.”

The Chinese government has not reacted kindly to Ai’s public descent and he has felt the weight of their abuse. He remains under house arrest and was not allowed to travel to Toronto for the opening of his exhibit. It is only, Ai’s world renown as an artist and public dissident that protects him from the ultimate fate of so many Chinese dissidents.  Ai Weiwei’s courage in speaking out against injustice over and over again, has robbed him of his liberty and put his life in grave danger and yet he continues to publically protest the abuses of his overlords. Ai’s testimony, expressed in his art, speaks volumes to the world and even tough his protests fall on what appear to be the deaf ears of a régime that continues to oppress the people of China, one wonders how long these unjust judges will be able to resist his persistent pleas for justice. Continue reading

God in the Guise of a Pleading Widow a Sermon on Luke 18:1-8

IMG_2931Ai Weiwei’s exhibit “According to What? at the Art Gallery of Ontario inspired me to look beyond traditional interpretations of Jesus’ parable of the Pleading Widow to see our role as the unjust judge. The gentle breath of a newborn granddaughter enabled me to hear God persistently pleading for justice.

Listen to the sermon here:  

Our second reading was taken from Mechthild of Magdeburg’s “The Flowing Light of the Godhead” 

Godhead MagdeburgOur Scripture Hymn used Ruth C. Duck’s words.

Like a Pleading Widow