God in the Guise of a Pleading Widow a Sermon on Luke 18:1-8

Like a Pleading WidowAi Weiwei’s exhibit “According to What? at the Art Gallery of Ontario inspired me to look beyond traditional interpretations of Jesus’ parable of the Pleading Widow to see our role as the unjust judge. The gentle breath of a newborn granddaughter enabled me to hear the DIVINE ONE persistently pleading for justice. Read the sermon manuscript below or Listen to the sermon here:  

I spent time exploring the Ai Weiwei exhibit at the Art Gallery of Ontario. It is a powerfully, disturbing, fascinating and compelling exhibit that I know will stay with me for years to come. Ai Weiwei is, according to the AGO’s description, “an artist with a very new kind of visibility. He has transcended his artwork to become a worldly figure who, for many, symbolizes the assertion of freedom of expression against great odds. Using the fame and recognition garnered by his art, Ai Weiwei has taken on issues that could not be raised publically in China.” The exhibit provides a unique window into a part of the world that continues to remain impenetrable.

Ai Weiwei and I are the same age but it is as if our worlds are light-years apart. I first became aware of his work during the Beijing Olympics in 2008. Ai is responsible for the spectacular design of the Beijing Olympic Stadium that has become known as the Bird’s Nest. With his conception of the Bird’s Nest Ai hoped to represent freedom. He saw the Olympics as a splendid opportunity to demonstrate that China was opening up after decades of seclusion with a dismantling of the barriers erected by successive totalitarian régimes. Sadly, Ai’s dreams were dashed as the stadium was constructed and the Chinese government resorted to old methods to drive the poor from their homes in order to build on Olympic sites.

On the opening day of the Olympics, Ai wrote this about his of his decision to boycott the events: “Today China and the world will meet again. People will see that the planet is now smaller than at any time in history, that mankind should bid farewell to arrogance and indifference, to ignorance and discrimination, and understand that we share the same small piece of land. It will be a time to rediscover each other, to share what is good in life, to look each other in the eye and link all 10 fingers. The colourful festival is a time not just for celebration, but also for peace and friendship. To rediscover our future, we should say goodbye to our past. We must bid farewell to autocracy. Whatever shape it takes, whatever justification it gives, authoritarian government always ends up trampling on equality, denying justice and stealing happiness and laughter from the people.

We should also leave behind discrimination, because it is narrow-minded and ignorant, denies contact and warmth; and corrodes mankind’s belief that we can better ourselves. The only way to avoid misunderstanding, war and bloodshed is to defend freedom of expression and to communicate with sincerity, concern and good intentions.

The “Bird’s Nest” National Stadium, which I helped to conceive, is designed to embody the Olympic spirit of “fair competition”. It tells people that freedom is possible but needs fairness, courage and strength. Following the same principles, I will stay away from the opening ceremony, because I believe the freedom of choice is the basis of fair competition. It is the right I cherish most. If we want it to be, today can be a moment of courage, hope and passion. This day will test our faith in the human race, and our determination to build a better future.”

The Chinese government has not reacted kindly to Ai’s public descent and he has felt the weight of their abuse. He remains under house arrest and was not allowed to travel to Toronto for the opening of his exhibit. It is only, Ai’s world renown as an artist and public dissident that protects him from the ultimate fate of so many Chinese dissidents.  Ai Weiwei’s courage in speaking out against injustice over and over again, has robbed him of his liberty and put his life in grave danger and yet he continues to publically protest the abuses of his overlords. Ai’s testimony, expressed in his art, speaks volumes to the world and even tough his protests fall on what appear to be the deaf ears of a régime that continues to oppress the people of China, one wonders how long these unjust judges will be able to resist his persistent pleas for justice. Continue reading

Whose Persistence? Preparing to Preach on the Parable of the Pleading Widow

pleading widowLooking back on a sermon I preached twelve years ago on this week’s readings from Genesis 32:22-31 and Luke 18:1-8, I am struck by how much my own images of the DIVINE ONE we call “God” have changed and yet remain oddly similar. The intervening years have afforded me the opportunities to begin to leave behind notions of an anthropomorphic God who intervenes in our lives. As I have embraced the writings of progressive and evolutionary theologians, I have struggled to understand and articulate DIVINITY’s nature from the perspective of panentheism (everything is in God). There are those who suggest that this is a departure from the Christian tradition. Yet looking back, I am beginning to see this movement as a natural progression of the tradition. Indeed, so much of what I have always loved about Lutheran theology has freed me to explore this path. So, I offer this old sermon as a snapshot of my own pathway toward new visions of the Divine. I trust that my early efforts to move beyond the notion of God as the “unjust judge” will move some to begin to see God in, with, and through all those who persistently plead for justice. 

What little I know about the art of wrestling I learned from my brother Alan. He and I are just eighteen months apart in age and together we participated in many a wrestling match. All too often one or the other of us would be bothering the other and before we knew it we were rolling around on the floor wrestling. I’ll have you know that up until the age of about twelve I was quite a good wrestler. Up to that point I usually managed to hold my brother to the ground and with my knees firmly pinning his arms I would be able to get my brother to agree to my point of view. But my brother’s adolescent growth spurt put an end to my winning streak. Just as soon as my brother was big enough to pin me to the ground I decided to stop bothering him. Bothering my brother became dangerous and I had to give it up in order to save my dignity. Continue reading

What it Means to “Pray Always” – Matthew Fox

Recorded Oct.16, 2016: Matthew Fox preaches on Luke 18:1-8 at All Saints Church in Pasadena. Fox defines prayer as, “a radical response to life; a profound or deep response to life.” As such, working for justice is the embodiment of our response. 

God in the Guise of a Pleading Widow a Sermon on Luke 18:1-8

Like a Pleading WidowAi Weiwei’s exhibit “According to What? at the Art Gallery of Ontario inspired me to look beyond traditional interpretations of Jesus’ parable of the Pleading Widow to see our role as the unjust judge. The gentle breath of a newborn granddaughter enabled me to hear God persistently pleading for justice. Read the sermon manuscript below or Listen to the sermon here:  

I spent time exploring the Ai Weiwei exhibit at the Art Gallery of Ontario. It is a powerfully, disturbing, fascinating and compelling exhibit that I know will stay with me for years to come. Ai Weiwei is, according to the AGO’s description, “an artist with a very new kind of visibility. He has transcended his artwork to become a worldly figure who, for many, symbolizes the assertion of freedom of expression against great odds. Using the fame and recognition garnered by his art, Ai Weiwei has taken on issues that could not be raised publically in China.” The exhibit provides a unique window into a part of the world that continues to remain impenetrable.

Ai Weiwei and I are the same age but it is as if our worlds are light-years apart. I first became aware of his work during the Beijing Olympics in 2008. Ai is responsible for the spectacular design of the Beijing Olympic Stadium that has become known as the Bird’s Nest. With his conception of the Bird’s Nest Ai hoped to represent freedom. He saw the Olympics as a splendid opportunity to demonstrate that China was opening up after decades of seclusion with a dismantling of the barriers erected by successive totalitarian régimes. Sadly, Ai’s dreams were dashed as the stadium was constructed and the Chinese government resorted to old methods to drive the poor from their homes in order to build on Olympic sites.

On the opening day of the Olympics, Ai wrote this about his of his decision to boycott the events: “Today China and the world will meet again. People will see that the planet is now smaller than at any time in history, that mankind should bid farewell to arrogance and indifference, to ignorance and discrimination, and understand that we share the same small piece of land. It will be a time to rediscover each other, to share what is good in life, to look each other in the eye and link all 10 fingers. The colourful festival is a time not just for celebration, but also for peace and friendship. To rediscover our future, we should say goodbye to our past. We must bid farewell to autocracy. Whatever shape it takes, whatever justification it gives, authoritarian government always ends up trampling on equality, denying justice and stealing happiness and laughter from the people.

We should also leave behind discrimination, because it is narrow-minded and ignorant, denies contact and warmth; and corrodes mankind’s belief that we can better ourselves. The only way to avoid misunderstanding, war and bloodshed is to defend freedom of expression and to communicate with sincerity, concern and good intentions.

The “Bird’s Nest” National Stadium, which I helped to conceive, is designed to embody the Olympic spirit of “fair competition”. It tells people that freedom is possible but needs fairness, courage and strength. Following the same principles, I will stay away from the opening ceremony, because I believe the freedom of choice is the basis of fair competition. It is the right I cherish most. If we want it to be, today can be a moment of courage, hope and passion. This day will test our faith in the human race, and our determination to build a better future.”

The Chinese government has not reacted kindly to Ai’s public descent and he has felt the weight of their abuse. He remains under house arrest and was not allowed to travel to Toronto for the opening of his exhibit. It is only, Ai’s world renown as an artist and public dissident that protects him from the ultimate fate of so many Chinese dissidents.  Ai Weiwei’s courage in speaking out against injustice over and over again, has robbed him of his liberty and put his life in grave danger and yet he continues to publically protest the abuses of his overlords. Ai’s testimony, expressed in his art, speaks volumes to the world and even tough his protests fall on what appear to be the deaf ears of a régime that continues to oppress the people of China, one wonders how long these unjust judges will be able to resist his persistent pleas for justice. Continue reading

God in the Guise of a Pleading Widow a Sermon on Luke 18:1-8

IMG_2931Ai Weiwei’s exhibit “According to What? at the Art Gallery of Ontario inspired me to look beyond traditional interpretations of Jesus’ parable of the Pleading Widow to see our role as the unjust judge. The gentle breath of a newborn granddaughter enabled me to hear God persistently pleading for justice.

Listen to the sermon here:  

Our second reading was taken from Mechthild of Magdeburg’s “The Flowing Light of the Godhead” 

Godhead MagdeburgOur Scripture Hymn used Ruth C. Duck’s words.

Like a Pleading Widow

Whose Persistence? Preparing to Preach on the Parable of the Pleading Widow

pleading widowLooking back on a sermon I preached six years ago on this week’s readings from Genesis 32:22-31 and Luke 18:1-8, I am struck by how much my own images of the Divine One we call God have changed and yet remain oddly similar. The intervening years have afforded me the opportunities to begin to leave behind notions of an anthropomorphic God who intervenes in our lives. As I have embraced the writings of progressive and evolutionary theologians, I have struggled to understand and articulate God’s nature from the perspective of panentheism (everything is in God). There are those who suggest that this is a departure from the Christian tradition. Yet looking back, I am beginning to see this movement as a natural progression of the tradition. Indeed, so much of what I have always loved about Lutheran theology has freed me to explore this path. So, I offer this old sermon as a snapshot of my own pathway toward new visions of the Divine. I trust that my early efforts to move beyond the notion of God as the “unjust judge” will move some to begin to see God in, with, and through all those who persistently plead for justice. 

What little I know about the art of wrestling I learned from my brother Alan. He and I are just eighteen months apart in age and together we participated in many a wrestling match. All too often one or the other of us would be bothering the other and before we knew it we were rolling around on the floor wrestling. I’ll have you know that up until the age of about twelve I was quite a good wrestler. Up to that point I usually managed to hold my brother to the ground and with my knees firmly pinning his arms I would be able to get my brother to agree to my point of view. But my brother’s adolescent growth spurt put an end to my winning streak. Just as soon as my brother was big enough to pin me to the ground I decided to stop bothering him. Bothering my brother became dangerous and I had to give it up in order to save my dignity. Continue reading