Liturgy has the power to from us in ways that preachers can only dream of. The truth is worshippers don’t go home humming the sermon. What we sing in worship matters precisely because music has the power to both open us up and shut us down to change. As our theology evolves, so too what we sing in worship must evolve. But familiar chestnuts are familiar for a reason. Our favourite hymns are singable! Sadly, so many of the best loved hymns inscribe theologies that posit a god that few of us are willing to worship. But rather than throw the babies out with the bath water, we can give the best loved hymn tunes a new lease on life with texts that do not re-inscribe theories of atonement that we are trying to leave behind. I have been asked to share some of the resources that we have found helpful at Holy Cross and over the next few weeks I hope to post several resources.
It hasn’t been easy to find new words with which to resurrect old hymns. But there are two resources that warm the heart of this particular worship planner. Both “Inclusive Hymns For Liberating Christians” and “Inclusive Hymns for Liberation, Peace, and Justice” are the work of Jann Aldredge-Clanton who is responsible for the hymn texts and Larry E. Schultz who provides a few new tunes for Aldredge-Clanton’s texts. I highly recommend both volumes for those progressive Christian worship planners who seek to use music to open people to the possibilities of more expansive theologies. Aldredge-Clanton’s texts go far beyond “inclusive language” for God and for people.
Jann Aldredge-Clanton currently serves as adjunct professor at Perkins School of Theology and Richland Community College, Dallas, Texas. Her vivid imagery opens the mind while familiar tunes comfort the spirit.
The good news is that although these resources are not easy to get in Canada, I ordered mine from Amazon.com in the U.S. and the shipping charges were minimal. Better yet, with the purchase of 10 or more you get permission to reproduce hymns for worship.
Here are two videos that provide of just two of the pieces sung in very different worship styles.